"Drawing is where I learn how to slow down enough to actually see someone.”
Working in charcoal, pen and ink, and graphite is central to Hixson’s development as both a portrait artist. These materials require sustained observation, patience, and an attunement to subtle shifts in posture, expression, and emotional presence. Through repeated engagement with the human figure, Hixson studies not only anatomical structure but the psychological weight carried in the body, how tension, vulnerability, and resilience manifest physically. Charcoal encourages intuitive responses to form and gesture, graphite refines sensitivity to nuance and proportion, and pen and ink demands clarity and commitment through irreversible mark-making. This rigorous drawing practice sharpens Hixson’s ability to see individuals fully and without judgment, a skill that directly informs his approach to portraiture and mirrors the core principles of therapeutic work: deep listening, presence, and respect for the complexity of the human experience.